Within the last year, I began to paint images that increasingly stress the importance of time and disappearance, introducing psychedelic vortexes and colourful marks that represent the actual appearance of things in a constant state of flux.

Sometimes the landscapes dialogue with a lone evanescent self-portrait, that stresses the relationship dynamic between the vision and its viewer. Both the subject and the object are fragile, mysterious and ephemeral and they mutually mirror each other. The landscape mirrors the human condition. The self portrait mirrors the precariousness of reality.